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Category: Spoiler-Free Reviews

My reviews contain few plot details or spoilers. I don’t assign numerical or letter grades. There’s a fan for everything.

Pretty, Gloomy – ‘Dunkirk’ Review

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Dunkirk is a picture for cinephiles, not a popcorn crowd pleaser. It dramatizes the evacuation of British soldiers from France during WW2. The characters are anonymous, with only a handful of nameless faces to anchor us. The film is heavy on tone and visuals, but light on dialogue and story. It’s an art movie about boys becoming men during wartime. The events study the way in which extraordinary hardships bring out the best and worst in people. The characters are all male and few express their feelings except those who lose their sanity. This is a stripped down affair, wherein Christopher Nolan demonstrates his growing mastery with the camera. The film is stoic and beautifully made. Viewers with a love for the craft of filmmaking are better positioned to enjoy Dunkirk. If you’re looking for expansive dialogue, a love story or the pursuit of dreams, then the film is not for you.

Let’s Spoil Star Wars – The Last Jedi Review

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***

WARNING – This review will NOT be spoiler free.

***

Star Wars – Episode VIII – The Last Jedi is the kind of movie you’ve already decided on seeing. This will not be my standard spoiler-free analysis, but rather a personal reaction. It’s been almost a month since I saw the film. It wasn’t the experience I was hoping for. A few years back when I heard that there would be a new trilogy I was very excited to see my childhood hero Luke Skywalker again. In The Force Awakens he only received a silent 15 second cameo. In The Last Jedi he was revealed to be a hermit living in shame. He self terminates at the end of the movie (but there’s no forewarning, so when it happens I just sat there and thought, wait…did that just happen. Did he just die?) The credits rolled and I quickly made the universal gesture for wanking-off to my girlfriend.

God and Lucasfilm have cleared the bench of characters I love and they have not coordinated efforts. The new characters fail to keep me interested in what’s to come. Rey is dull, Poe is dumb and while I enjoyed John Boyega the last time, they took his character Finn nowhere in TLJ. He was a prop for someone named Rose who taught us about love, animal cruelty, the military-industrial complex and necklaces. Kylo is the most interesting because Adam Driver can act, but he was already defeated in the first film so there’s no tension there. He’ll lose again.

I could say a lot about what is good about the film, but I’d rather just talk about Luke because it overshadows everything for me. It’s personal. I remember watching ROTJ and wondering how he would escape Jabba, then cheering when he took that flip off the gangplank to save the day. It thrilled me like no other movie ever has. I remember hoping that Vader would save his son and being sublimely satisfied when he did. That single moment is my favorite experience while watching a movie. I can still feel my reaction like it was yesterday. I was six years old. These were the cinema experiences that cemented my love of storytelling and heroism. The Last Jedi made me wanna leave Luke back where I last saw him in 1983. Then he was my hero. Now he’s kind of depressing to think about.

I gather that people who are over fifty are just not marketable heroes to Disney. I gather that they really want these movies to be about young people like Rey. OK.

Luke’s essential purpose in the film is to be convinced by Rey to save the “resistance” by using some force powers. There’s some clever themes in there – like him performing legendary deeds through the use of illusion. He saves the day without attacking. Sounds like Luke. I can dig it.

He gets really tired from his last big force trick though and he dies and disappears into the force. OK, I knew it would happen some time.

So why is he filled with shame in this film? The Last Jedi relies on our childhood adoration of this mythical character to make a point about human frailty and the way we foolishly idolize “heroes”. Heroes are only human. The film illustrates this by portraying Luke as grumpy and fearful of Rey. He doesn’t want to train her. He wants to be left alone to die. He’s filled with shame and regret after a conflict with his nephew Ben. Luke has gone off to hide while all his dark premonitions about Ben actually happen. So Luke Skywalker is kinda the reason everything is bad again. During the film, he learns to accept his failure so he can go back to helping everyone.

Here’s the rub. There’s a flashback where Luke ignites his lightsaber and considers killing his sleeping nephew before he has gone bad. All suspension of disbelief ended for me at that moment. I disconnected from the film. It was like when Superman won’t save his father in Man of Steel. It was another example of the rejection of virtue in modern culture. Star Wars was never intended to be realistic or nuanced – it was intended to be a mythological tale about heroes that would help the young learn virtuous lessons.

No longer my Star Wars.

Failure is a lesson that Luke was already taught in The Empire Strikes Back when his father whupped him and cut his hand off.  If this is part VIII and the story is about Rey, then maybe she should learn about failure. She’s not a mythical character at this point. She’s a socio-political one. She has no faults, no failings, no bruises and no trials. She’s there for the little girls. You know what I say to that? Go play in the pink isle.

Luke is gone now. So how do I feel? Not very interested in Star Wars. And to be clear – it’s not because he’s dead. It’s because he was transformed into a miserable failure masquerading as a legend.

I expected a mythological tale wrapped in space opera and filmed like a matinee serial. That’s Star Wars. The Last Jedi was something else. It’s as influenced by Game of Thrones’ shocking deaths and reversals as anything else. Thematically the writing is strong, but it shows no appreciation for the greater arc of the trilogy or the saga. The movie played like a bunch of made up bullshit to make me go “ooh” and “huh” and “oh, neat Taoism”. Rian Johnson wanted to “kill the past” as Kylo says and he did. He made me sad when I look at a picture of my childhood hero Luke Skywalker.

Here’s a quote from Arthur Conan Doyle that was included in the press materials for the original Star Wars. I imagine that today it would be considered a micro-agression.

“I have wrought my simple plan
If I give one hour of joy
To the boy who’s half a man,
Or the man who’s half a boy.”

I’m all grown up now. So thank you, Rian Johnson for freeing me from my past. Good luck with your new trilogy. I’m sure it’ll make lots of money!

Meh-tacular – A ‘Wonder Woman’ Review

I finally saw Wonder Woman. It’s OK.

This entry from Patty Jenkins moves DC’s films up a notch on the positivity scorecard. However, the writing lacks verisimilitude. There’s plenty of dialogue and interactions that seem more anchored in 21st century filmmaking tropes than in Greek Myths or WWI.

That aside, my main gripe is Gal Gadot. She can’t act. She has a nice smile, but she seems like a co-star in her own movie. That’s not Wonder Woman. Physically, she comes from the Michael Keaton school of super-hero performance. The costume looks good, but the physique is lacking. Her role as written is very naive and it muddles the character arc. Wonder Woman of the comics is aggressive, dominant at all times and distrustful of men. She’s a straight-up ass-kicker who learns to soften with experience, rather than a naive girl who hardens as she see’s our world. Here she’s written as strangely confused in a way that panders to the general conception of femininity. Wonder Woman is more aggressive than Batman on the page and she has to learn to trust and respect mankind.

Nonetheless, the film ends her character on the right note. It just gets there in a way that is odd and misplaced for this fan of comic books. It gave me more hope for the DCEU than Man of Steel or Batman V Superman. It’s now up to Joss Whedon to save this cinematic universe with Justice League reshoots.

8 Hours of Pain – ‘The Defenders’ Review

My binge is OVER!!!

The Defenders is as terrible as this piece of “artwork”.

It’s a talking head show with repetitive scenes and no pacing. They should have cut the episode count in half and used the money to add FX. Luke Cage lifts styrofoam blocks and bends rubber pipes like it’s 1954. Characters with severed parts only have digital limb removal in every third scene. Dolby Vision HDR is used solely to light bottles and to expose Mike Colter while he’s on screen with other actors. The writing is dreadful, the plot is obvious and stupid. The villains are lame. The characters are in a constant state of disbelief despite the fact that this show takes place in a world with Iron Man, The Hulk and Captain America. And there is one super-hero costume.

I thought really hard about something nice to say. So here it is – Elodie Yung, Jessica Henwick, Simone Missick and Deborah Ann Woll all have really beautiful hair. Sorry Krysten Ritter.

Go for the Paper Cutter – ‘The Belko Experiment’ Review

Killing co-workers makes for a fun little horror movie.

The Belko Experiment is written & produced by James Gunn (Slither, Super, Guardians of the Galaxy 1 & 2) and directed by Greg McLean. It’s set in a corporate office where the employees are forced to murder each other. It’s pretty fun up till the ending. The film chooses to tease a sequel instead of fully exploring the motivations behind what transpired. The actors are all top notch, but sadly, there’s no underlying message and I think that’s a sin in genre work. Instead, it’s simply an outlet for our hatred of corporate environments. I don’t recall seeing any digital blood and somebody does use my weapon of choice. So, I say its worth watching if the concept grabs you.

Beautiful on the Outside – ‘Valerian and the City of a Thousand Planets’ Review

posterI was the only one in the theater. Sheesh.

If you liked The Fifth Element you’ll probably enjoy Luc Besson’s Valerian and the City of a Thousand Planets.

The visuals are stunningly original. It has fantastic effect and production design in service to the world building. Unfortunately, the story is simplistic and the characters are lightly drawn. It sags a bit in the middle, but then picks up to finish off as a light adventure story. It all adds up to a decent time at the movies if you’re into French comic book adaptations. For what it’s worth, I found it more visually engaging than the comic book source material. If you enjoy science fiction tropes and seeing the boundaries of visual effects pushed, then this film should be a forgettable, but enjoyable ride.

While you were drinking: Marvel’s Iron Fist, Episodes 1-4

Iron-Fist-PosterWhile you were enjoying St. Patrick’s Day, I was binging MARVEL’S IRON FIST on Netflix. I have four episodes down, so that’s my perspective. It’s based on a 1970’s Marvel comics character who is a mix of Tarzan and Bruce Lee with a dash of Lost Horizon. He can be fun in the comics or he can be a boring martial arts guy. So far the show achieves neither of those. It’s a glacially paced origin story with mild action. It’s either building to something awesome or I’m watching paint dry. Sometimes it’s pretty paint though.

It’s the first Marvel show to debut in DOLBY VISION HDR and it looks phenomenal. There’s a night time street fair in the 1st episode that shows off the expanded color gamut and high contrast. It’s the best looking scene in any Marvel show yet. However, I can’t binge HDR without burning out my eyeballs. The screen pumps out too much light to sit and watch for more than a couple hours. Netflix should take note of this as they offer more HDR programming.

The characters are well written and the cast is solid. I like Finn Jones as Danny Rand/Iron Fist and everyone is believable, but there’s certainly no Vincent D’Onofrio or Mahershala Ali in this group. Also, the tension is so subtle and the story so drawn out that I expect a lot of viewers will tune out. This is a show based on a comic book, but much like Luke Cage, it feels like it wants to forget it’s roots due to budget constraints.

The action is sparse and the choreography is uneven in quality. It’s not on par with the work in Daredevil and that’s shocking for a martial arts based show. It’s partly the choice to keep the fights in accord with the show’s meditative theme. Iron Fist fights with a Tai chi meets Akido vibe most of the time. When he lets loose with a strong style I can glimpse more potential, but the lack of believability is a sin. The fights are cut slowly and the actors look choreographed. That is not acceptable for a show about a kung-fu super-hero. This show needs to evolve into something more imaginative than a character study with fight interludes. It needs more fantasy elements and it needs to open a can of whoop-ass.

***I have completed the show and an expanded review is not necessary. It has no fantasy elements and poor martial arts scenes. The writing is good enough to elevate it above Luke Cage, but Iron Fist will require better action scenes if they want the character to work on screen.

© 2024 by Maximilian Gray